As some of you may have gathered, I have been working on an audio drama. You can find it here on iTunes, or here on Soundcloud, or here at its own website. You can also find it on Pocket Casts and Stitcher and a whole host of other podcast catchers. But you didn’t hear about it here, because I’m lazy.
Very, very lazy.
So, in return, I’m going to be doing a series on the evolution of my piece, Queens of the Sapphire Sea, which is being broadcast on April 15th. This is an old, old idea of mine from back in the Antediluvian Era, so I figured it might be fun to show you how it transformed from a seed of something into a full-fledged thingiemawhatzit.
That’s a technical term.
Here is the original pitch piece I did for it, back when Starlight Runner was first accepting ideas for the development of internal IP.
Queens of the Sapphire Sea
Trouble is brewing on the Range Territory, but it has nothing to do with the criminals and outlaws that waft on the breeze this far from law and order. After all, none of them are a match for seventy-five year-old Regina Oliotone or her teenaged grand-niece, Beatrice. The two of them control the Range Territory from the sights of their seaplanes’ gun scopes. They’ve become the two best (and richest) pilots along the Sapphire Sea.
All of that is about to change.
The Commonwealth of Liberi is set to annex the Range, and bring with it its code of laws, including a prohibition against women from legally owning property. What has taken a lifetime to build up may be washed away with a signature from the High Council. Suitors are lining up outside Regina’s door just as political machinations threaten to rip the Range apart at its seams.
Regina and Beatrice aren’t giving up, though. The two each have a plan to save their business, their farm, their nation, and their way of life. It will take daring, but if there were ever a pair of bounty hunters that could topple a nation, it would be the world-famous Queens of the Sapphire Sea.
I was rather proud of the piece back then, and there are certainly elements to it that strike me now. It was steampunk fantasy set in a different world, with engaging and unusual characters that weren’t TOO off the wall. It had easily recognizable goals with plenty of room to grow, too. In fact, as you will see if you listen in…
Please, please listen in.
…the main thrust of the piece hasn’t changed all that much.
That being said, I can understand why it was turned down at the time:
- It’s too niche – As that pitch stands, it would appeal to a sub-demographic of a sub-genre, and was written by an inexperienced and unknown writer. I’m not saying that this kind of thing shouldn’t be written, but I’ve learned a lot in the five years since I first wrote this piece. Stuff like it has to be grand slam material or, at the very least, come from a recognizable name that people will be willing to follow to an uncertain place.
- It’s too expensive – With something as fantasy-driven as that piece, it would have had to function as a comic book or piece of animation. Even then it would have been too expensive to produce. I was imagining water colored pages, farflung locales, and high-flying action. It would’ve required top-end talent to pull off and that doesn’t even get into the actual hard costs of production. I probably could have gotten away with a novel, but then again, I was too inexperienced to get it picked up.
- It’s too on-the-nose – It seems to me that the themes were too direct and overt, particularly for something that was supposed to be all about the fun. You can chalk this up to changing tastes but back then, I wanted to make deliberate statements that could not be misconstrued, whereas now, I want more moral ambiguity. My opinions haven’t changed all that much but my dedication to allowing the audience to pull the themes they find has.
I didn’t expect to create something that–out of the blue–would wow my bosses (there are some quality issues there that you can definitely tell could use a bit more thought), but still, I felt disappointed when this came back with a “pass,” but it was a learning experience nonetheless. I could have tossed it aside. Instead, I realized that there was something there. I just had to think it through more. It was also a little similar to another property I was working on, so I decided to differentiate it a bit more, as well.
That was the key for me, and what should be the key for you, the creators reading this. Don’t throw anything away. Keep it socked in a drawer if you must, but better yet, get a Mega.co.nz account and store everything there. Who knows what amazing stuff you’ll find there when you’re cooking your way through in prep for a pitch years from now? Your patience, aided by experience, will show you the why’s and wherefore’s of your previous struggles to set you up for the successes of tomorrow.
Failure is the fire that tempers our talent. Or, it can be, if you don’t let it get you down.