I’m back with my next episode of Building a Better Story World! One day, WordPress is going to let me post on time, but until that point, you still have me guiding you through story world creation. This time, we’re using a popular teenage wizard as the guiding case study as we begin a five-part series on each element of classical structure. Join in to learn how to create a compelling main character that can center an entire story world!
You can download directly here, or find the podcast on Spotify, iTunes, Stitcher, or any fine podcatcher!
It’s been a minute, ain’t it? I know you’ve all been desperate to… no, I can’t even lie like that. But I’ve been working on a LOT of stuff, and this is a part of it: a new podcast dedicated to helping you become better story world designers!
Using the same tools that I’ve brought to Nickelodeon, the Walt Disney Company, Microsoft, Activision, Sony Pictures, and many other clients, I’m going to take listeners on a step-by-step guide to story world creation. Each week, we will be delving into new categories and new content. Those who follow along can use the prompts to help create new narratives, but if you’re just interested in understanding, that’s great, too!
This week, we’re hitting the basics: the five primary elements of every story! From main character to resolution, we’ll build a foundation for any number of multimedia stories. I would embed the episode, but apparently, WordPress doesn’t like such things from Buzzsprout unless you upgrade to the Business platform (no thanks), so here’s the direct download!
“Man is by nature a social animal; an individual who is unsocial naturally and not accidentally is either beneath our notice or more than human. Society is something that precedes the individual.”
Aristotle believed in alchemy, geocentrism, and flies having four legs, but he had it nailed with the human condition.
If you’ve ever been to a movie or a show on Broadway, you know what I’m talking about with the title: people’s seeming inability to turn off their phones for two-to-three hours while they take in a bit of Kylo Ren or Mufasa. For the most part, these are tiny indiscretions: a few blips, a mild (or moderate) expletive, a couple seconds of fumbling, and then blissful silence just as Alexander Hamilton is about to lay down a few choice rhymes regarding fiat currency. At other times, Emma Stone and Ryan Gosling’s journey in (and out) of love seems to be set to the tune of a “Kim Possible” ringtone.
I’m struggling with this one, and not because of my feelings on this one particular film in general. I honestly don’t care what the reviews say. I don’t care who knows it. The Muppets Most Wanted was a fantastic movie and my movie of the year so far.
I mean, I’m not the most impartial of judges. I own three versions of Muppets from Space (DVD, VHS, and download). I hit up Muppets 3D, regardless of lines, as my first (and last) ride at Disney’s Hollywood Studios. I’ve gotten into arguments about whether Charles Dickens would have approved of a muppet-led version of his Christmas story (in short, I don’t care what Mr. Dickens thinks). Some people are into Star Trek. Others worship at the blood-drenched altar of Joss Whedon. Give me Gonzo and a camera crew and I’ll conquer the world.
But is this because I have been so brainwashed by Kermit, Ms. Piggy, Fozzie, et al that I’m willing to allow myself to be sucked in? And does it even matter if I’m having a good time?