Leave the Door Open

Did you watch that? Not only does it (thankfully) conclude my three-part sojourn into the realm of horror, but it showcases how seeds turn into oaks… or rather, alien skulls into crossover franchises. That forty-second clip created a host of novels, comic books, films. I’m not going to pass judgment on the quality of all of those. But hey: for less than a minute worth of cinema, that’s a lot of quality spin-off content.

I’m not saying we should all ape Predator 2 (though, truthfully, it’s not half-bad for a sequel) but here are lessons to be learned from that one segment. What started as an easter egg in that film turned two franchises into one. Does your work have such open nodes to extend your content? I’m not talking about cliffhangers or branching storypoints. I’m talking about those throwaway, cast-off, blink-and-you’ll miss it points that expand the universe in ways you couldn’t possibly perceive. Well, that is, you can’t perceive them, but fans? If you leave room for their questions–if you open the door to their imaginations–they’ll clamor for more.

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A Very Steele Look at Aliens and Isolation

When last we met (many, many moons ago), our talk about passive and active media led to quite a lot of attention. I got record-high viewership totals. My blog got bandied about on the interwebz like a rain-slicked football at a Pop Warner football game. For a split second, I even began to trend. It was heady to receive this attention, and it brought in a lot of work, hence my absence on ye ol’ blogosphere.

But enough about me. Well, no… keep it up with the laudations…

But enough about me. Well, no… keep it up with the laudations…

I did receive a few questions about it all, naturally. People were genuinely interested in talking about some of the more detailed aspects of my missive, which generally fell into the following categories.

  • Can you talk about the franchises you worked on in the past? Alas no.
  • Will you give me writing lessons? If you’re willing to pay.
  • Are you trying to imitate Abe Lincoln? You tell me.

AbeLincoln

So I decided to give you guys a peek into what I mean about the usage of storytelling between platforms. Let’s look at this from a franchise perspective so that the themes are congruent, the characters are similar, and it’s reasonably well known enough for a broad audience to understand.

I’ll save my Farscape fanfiction for another day.

I’ll save my Farscape fanfiction for another day.

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Passive Media, Active Media, and The Five Building Blocks of Every Good Story

A key feature in any transmedia roll-out is the ability to utilize each medium’s core strengths. A campaign tries not to reiterate the same story over and over again not just because it’s boring and not just because you want to reach new fans, but because, say, a story that’s best told in film doesn’t necessarily translate well to the video game environment, or vice versa.

Sounds simple, yet you’d be surprised by the amount of people who don’t understand this concept.

Sounds simple, yet you’d be surprised by the amount of people who don’t understand this concept.

This can be intimidating to the media fledgling. A producer has to oversee an entire array of platforms and content creators in order to establish a coherent and profitable story world. That requires connections, of course, but also an often intimidating amount of knowledge of production across a wide variety of distribution points. Does he or she really need to understand how every media works in order to create a great roll-out strategy?

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